2004 Tim Pugh, Royal Cambrian Academy, Conwy
2003 Oriel Focus, Theatre Clwyd, Mold
2002 Coastal Arrangements, Rhyl Library, Rhyl
2000 Coal, Wrexham Library and Arts Centre, Wrexham, North Wales
2000 Linking the Lands, Wilderness Gallery, Hobart, Tasmania, Australia
1999 Natural Elements, Llandudno, Denbigh, Buckley, North Wales
1996 Tim Pugh : Drawings And Photographs, Worcester Museum and Art Gallery
1996 Installation For River Festival, Worcester, Worcestershire
1994 Out Of The Landscape, Dinbigh, Denbigshire, North Wales
1993 Vision : The Environment, Rhyl, Flintshire, North Wales
1993 Sculpture, Milton Keynes Exhibition Gallery/Library

Group exhibitions
2005 Time and Place, Oriel Corwen, Corwen
2004 Summer Show, Galerie Wandlebar, Gstaad, Switzerland
2004 Native Land, Oriel Mostyn, Llandudno
2002 Ystyr Y Tir, Lorient, Brittany, France
2000 Wales Drawing Biennale 99, Wrexham, Aberystwyth, Cardiff, Swansea, Mold
2000 Changing Spaces, St Helens, Knowsley, Liverpool
2000 Ruptures, Landivisia, Brittany, France
1999 Solitude, Carnegie Gallery, Hobart Tasmania, Australia
1996 Econstructions, Tamworth Arts Centre, Staffordshire
1996 Second Open Air Sculpture Exhibition, Wysing Arts, Cambridge
1996 The Last Dance, Theatre Clwyd, Flintshire
1996 Young Wales III, Royal Cambrian Academy, Conwy
1996 Into The Elements, Newport Museum/Library, South Wales
1995 Group Exhibition, Black Sheep Gallery, Hawarden
1995 Grosvenor Museum Open, Chester, Cheshire
1995 Clwyd And North Wales Young Professionals, Oviedo, Gijon, Murcia, Madrid, Spain
1995 Mapping The Margins, Brewhouse Arts Centre, Somerset
1995 Oh I Do Like To Be Beside The Seaside, Crescent Arts, Scarborough, Yorkshire

Artworks Wales Residency , 2002
A recent project that highlights some new techniques and ideas was a six week woodland residency undertaken for an art agency called "Artworks Wales". This Summer project was part of a series of "taster" sessions to be set in a wood called The Dingle, in Llangefni, Anglesey, with the aim of promoting and attracting more people into The Dingle. I conducted environmental sculpture workshops for local schools and community groups as well as creating temporary installations made from sycamore leaves, seeds, branches and pine cones. Days were spent developing new ideas, sketching out outlines and shapes of relics discovered in Neolithic age burial hoards. Creating these outdoor charcoal images has established a positive new direction with opportunities for future experimentation and the work will be exhibited as enlarged photographs documenting the course of the residency. The Dingle project was funded by Artworks Wales and Coed Cymru.